Posts tagged nba

How Basketball Has Changed My LifePart I of V — Hip-HopWho Am I? (What’s my Name) — it’s the first song I can really remember listening to and I can say it’s played a significant role in the person I’ve turned out to be. When I was seven or eight, it would come off an old boom-box that played while I watched my big brother work out in our basement, religiously tracking reps and sets on a spreadsheet that couldn’t have been so simple to build at the time. I think of it less nowadays but I had often felt like a product of my two older brothers rather than of my mother and father; a hopeful blend of someone who gave you an unequivocal answer that always turned out to be right somehow, who opted for patience over compulsion, and, of another whose altruism kept everyone warm, who intuitively embraced difference and chose not to ignore it. Listening to Snoop Dogg made me pretty oblivious to the coastal feud of the mid 90’s and I’ll admit it didn’t help Biggie much that I had spent most of those years rewinding California Love over and over and over again until double-sided tape decks finally came along. Together, the two tracks gave everyone countless hours of joy and inspiration that I would spend in the backyard playing basketball with my brothers. And though I’d go on to hear Gin and Juice and Ambitionz Az a Ridah just as often, they never resounded over a game of “American” as well as the two I had come to know and love. The relationship between basketball and hip-hop went far beyond soundtracks however; sure Snoop and Tupac drove me to practice but basketball paved the way for acts, lyrics, and even subcultures I wouldn’t have otherwise considered. Professional athletes like Kenny Anderson and Larry Johnson, basketball players I looked up to, were forewords to emcees such as Erick Sermon and LL Cool J through the wonders of “NBA Superstars”, a FOX Home Entertainment VHS tape that would so shamelessly combine music videos with basketball highlights (think of Whitney Houston’s Greatest Love of All mashed together with an afro-rocking Julius Erving dunking all over the place) which really isn’t all that bad when you think about it. From there, replayed highlights and sing-alongs led to imitations and personal favorites; they opened the door to new VHS tapes which evolved towards compilations to play ball to and, inevitably, resulted in pre-game rituals and post-game cramming. I had gone from timidly discovering Warren G’s Regulate before house-league play to suddenly blasting Ghostface Killah’s Winter Warz out from a yellow school bus before road games. Interweaving basketball with rap was not just a recurring trend but an intensifying appetence. Before heading out, I would listen to music and focus on practice; I’d go play and think about the albums I had heard that day then finish playing and carry on with different parts of the albums, adjusting the music, tweaking my game, on and on until what emerged was, above all, a ridiculously untouchable eighteen-track mix CD (nineteen if you’re lucky) and a completely changed attitude problem. What was it about hip-hop and basketball that worked so well? I think their roots are painfully humble but their skills are often so clouded by the market and its misguided values. They are both so largely admired for their commercial success and simultaneously appreciated on different scales for their levels of dedication and trust. They may be saturated with wannabes and charlatans but at their core, they are dominated by a mastery of all the right fundamentals conflated with a ton of substance and an ounce of flare. Maybe these are the traits that drew me in or maybe it was all just good timing. All I know is that by fourteen, I had basically run 19’s Panasonic Discman into the ground (being too cheap to buy my own for the aforementioned road games) but if those buds weren’t in my ears it’s because there was a always basketball in my hands. Interesting Facts: Even though I grew up playing basketball to Who Am I? and California Love, it turns out these are pretty much the most awesomest jams for anything. Whenever Ready or Not by The Fugees is played, I envision a slow-motion alley-oop being thrown. Every. Single. Time. Shawn Kemp has the best highlight pack in “NBA Superstars 3” Of course, they made more than one “NBA Superstars”, come on. Photo by: Matthias Heiderich

How Basketball Has Changed My Life
Part I of V — Hip-Hop

Who Am I? (What’s my Name) — it’s the first song I can really remember listening to and I can say it’s played a significant role in the person I’ve turned out to be. When I was seven or eight, it would come off an old boom-box that played while I watched my big brother work out in our basement, religiously tracking reps and sets on a spreadsheet that couldn’t have been so simple to build at the time. I think of it less nowadays but I had often felt like a product of my two older brothers rather than of my mother and father; a hopeful blend of someone who gave you an unequivocal answer that always turned out to be right somehow, who opted for patience over compulsion, and, of another whose altruism kept everyone warm, who intuitively embraced difference and chose not to ignore it.

Listening to Snoop Dogg made me pretty oblivious to the coastal feud of the mid 90’s and I’ll admit it didn’t help Biggie much that I had spent most of those years rewinding California Love over and over and over again until double-sided tape decks finally came along. Together, the two tracks gave everyone countless hours of joy and inspiration that I would spend in the backyard playing basketball with my brothers. And though I’d go on to hear Gin and Juice and Ambitionz Az a Ridah just as often, they never resounded over a game of “American” as well as the two I had come to know and love.

The relationship between basketball and hip-hop went far beyond soundtracks however; sure Snoop and Tupac drove me to practice but basketball paved the way for acts, lyrics, and even subcultures I wouldn’t have otherwise considered. Professional athletes like Kenny Anderson and Larry Johnson, basketball players I looked up to, were forewords to emcees such as Erick Sermon and LL Cool J through the wonders of “NBA Superstars”, a FOX Home Entertainment VHS tape that would so shamelessly combine music videos with basketball highlights (think of Whitney Houston’s Greatest Love of All mashed together with an afro-rocking Julius Erving dunking all over the place) which really isn’t all that bad when you think about it.

From there, replayed highlights and sing-alongs led to imitations and personal favorites; they opened the door to new VHS tapes which evolved towards compilations to play ball to and, inevitably, resulted in pre-game rituals and post-game cramming. I had gone from timidly discovering Warren G’s Regulate before house-league play to suddenly blasting Ghostface Killah’s Winter Warz out from a yellow school bus before road games. Interweaving basketball with rap was not just a recurring trend but an intensifying appetence. Before heading out, I would listen to music and focus on practice; I’d go play and think about the albums I had heard that day then finish playing and carry on with different parts of the albums, adjusting the music, tweaking my game, on and on until what emerged was, above all, a ridiculously untouchable eighteen-track mix CD (nineteen if you’re lucky) and a completely changed attitude problem.

What was it about hip-hop and basketball that worked so well? I think their roots are painfully humble but their skills are often so clouded by the market and its misguided values. They are both so largely admired for their commercial success and simultaneously appreciated on different scales for their levels of dedication and trust. They may be saturated with wannabes and charlatans but at their core, they are dominated by a mastery of all the right fundamentals conflated with a ton of substance and an ounce of flare. Maybe these are the traits that drew me in or maybe it was all just good timing. All I know is that by fourteen, I had basically run 19’s Panasonic Discman into the ground (being too cheap to buy my own for the aforementioned road games) but if those buds weren’t in my ears it’s because there was a always basketball in my hands.


Interesting Facts:

  • Even though I grew up playing basketball to Who Am I? and California Love, it turns out these are pretty much the most awesomest jams for anything.
  • Whenever Ready or Not by The Fugees is played, I envision a slow-motion alley-oop being thrown. Every. Single. Time.
  • Shawn Kemp has the best highlight pack in “NBA Superstars 3”
  • Of course, they made more than one “NBA Superstars”, come on.


Photo by: Matthias Heiderich

Monday Morning Rant: Drake

Who is the greatest team in NBA history? Apparently, it isn’t the 72-10 Chicago Bulls nor is it any of the Boston Celtics squads that claimed eight consecutive championships. According to superstar, Aubrey Drake Graham, it’s today’s Miami Heat. And that’s exactly what’s wrong with the guy – not his spurious basketball knowledge but his shameless testament to being a total knob.

When folks ask what the difference is between rap and hip-hop, I find it difficult to answer concisely without straying off on the usual graffiti, beat-box, and turntable tangents. But nowadays, the answer is as quick as ditching a friend for an excuse you haven’t fully developed yet.

The difference between them is Drake.

Somehow, he’s made himself the perfect dividing line between culture and practice. But his deleterious effect on hip-hop may not be his fault entirely. He is from Toronto, after all. He grew up a child actor, celebrated his Bar Mitzvah, and suffered through the divorce of his parents which, you know, is horribly uncommon – all the usual struggles of an up-and-coming hip-hop artist, right?

In his latest video, “Headlines”, you’ll find the young man nursing an unlit cigar in his brand new Zara button-up, riding the elevator up to what one can only assume is Lil Wayne’s office. Now I wouldn’t have much of a problem with this Craig David, circa 1999, image if it weren’t for Drake’s self-important lines “started not to give a fuck and stop fearing the consequence, drinking every night because we drink to my accomplishments” which are decent rhymes until you come to your senses and realize the mendacity. Accomplishments? Come on.

I don’t know if Drake needs to (or can) establish a bit more street-cred but I do want to know what it is, exactly, that makes him so well liked. Is his flow so transcendent that it must occupy the CD-deck of every Chrysler 300 that passes by? Do his lyrics and parlance break down our invisible walls with such force that they must be blasted from every kid’s speakerphone while they ride the bus and subway?

Tell me the truth. If your excuse is that you never really liked Lil Wayne but felt that you couldn’t miss out on the Cash Money train again, I’ll understand.

His music isn’t all that bad; people have varying tastes and that’s perfectly natural. But in a world where crybabies get everything they want, his lack of substance continues to stand out – worse, it sets him back. We allow these so-called superstars to feel so entitled, regardless of whether they’ve earned it or not, as long as they’re willing to sell out (hi there, LeBron James). The sad part is that they pretend like the iniquity is cool and, somehow, it’s working.

But what do we call someone who does that? A pop star. So after much consideration, I’ve broken it down to basic musical arithmetic: Bieber + Rap = Drake

At least Biebs accepts his pop status while Drake continues to deny it through his thug-with-a-heart bit. Seriously, dude. I like the moxie and all but when will you get over yourself; you’re Canadian, remember? You can fool pop fans into liking you, but you won’t ever convince hip-hop addicts to appreciate your use of the word “swag.”

The NBA may be done but Jammi is just getting started.

The NBA may be done but Jammi is just getting started.

jammi.ca

It may take a while to argue that Derrick Rose is the most dominant, talented, or even the most skilled player in the NBA. He is, after all, only 7th in the league in scoring (25.0) and 10th in assists per game (7.7). But what we need to consider here is that Rose’s brilliance on the court is not intended for your average bean counting, next-day-box-score-checking sports fan. The potency of Rose’s game appeals to those who actually watch and acknowledge not only that no one else could have made that shot but that no one else could have even gotten there in the first place. Not since a certain Michael something-or-other rewrote the book on basketball has a single Chicago Bulls player triggered so much excitement and fear throughout an entire league. In only his third season, Rose can dictate a game’s momentum from either ends of the court, on and off the ball. He has since become the paragon for every basketball enthusiast; quick enough to slash past his counterparts and strong enough to embarrass any of his challengers. His knack for weaving through interstices is in a class of its own, and although his peers may offer some comparable statistics, none can really do so with such captivating poise and unquantifiable fervour. If nothing else, D.Rose has proved that he can produce meaningful results, leading his team to a league pinnacle 62-20 season (the Bulls went 33-49 a year before Rose was drafted). The truth is that the MVP award should not go to the player who scores the most points or sells the most jerseys; even the winningest player may not receive it. The Most Valuable Player is the person whose team just can’t do without, the one whose team is so painfully helpless when forced to fend for itself. Take LeBron James away from the Heat, and they convert their game into an effective two-man offense. Give Kobe Bryant a night off, and Phil Jackson continues to coach with such clairvoyance that you barely even notice. But what are the Bulls without Derrick Rose? What is Tim Hortons without the Iced Cappuccino? It’s alright. Chicago becomes a decent team that, running around haphazardly, will keep things close but never really contend for a win — nor our allegiance. Without him, they are insipid, unrepentantly neglected, squeezed between Bill Nye the Science Guy and the Volswagen Corrado on a list of things we all raved about back in the 90’s. So who is Derrick Rose? He is the love child of Allen Iverson’s speed and Dwyane Wade’s jumping ability. He is a killer. He is the NBA’s best point-guard (Rajon Rondo, you would get this nod if you could shoot a jump-shot for your life). He is the humility which this generation’s players have lost. For all intents and purposes, he is basketball’s most valuable player. No obnoxious amounts of chalk thrown into the air. No pre-game dances. No post-game tweets. Just basketball.

It may take a while to argue that Derrick Rose is the most dominant, talented, or even the most skilled player in the NBA. He is, after all, only 7th in the league in scoring (25.0) and 10th in assists per game (7.7). But what we need to consider here is that Rose’s brilliance on the court is not intended for your average bean counting, next-day-box-score-checking sports fan. The potency of Rose’s game appeals to those who actually watch and acknowledge not only that no one else could have made that shot but that no one else could have even gotten there in the first place.

Not since a certain Michael something-or-other rewrote the book on basketball has a single Chicago Bulls player triggered so much excitement and fear throughout an entire league. In only his third season, Rose can dictate a game’s momentum from either ends of the court, on and off the ball. He has since become the paragon for every basketball enthusiast; quick enough to slash past his counterparts and strong enough to embarrass any of his challengers. His knack for weaving through interstices is in a class of its own, and although his peers may offer some comparable statistics, none can really do so with such captivating poise and unquantifiable fervour. If nothing else, D.Rose has proved that he can produce meaningful results, leading his team to a league pinnacle 62-20 season (the Bulls went 33-49 a year before Rose was drafted).

The truth is that the MVP award should not go to the player who scores the most points or sells the most jerseys; even the winningest player may not receive it. The Most Valuable Player is the person whose team just can’t do without, the one whose team is so painfully helpless when forced to fend for itself. Take LeBron James away from the Heat, and they convert their game into an effective two-man offense. Give Kobe Bryant a night off, and Phil Jackson continues to coach with such clairvoyance that you barely even notice. But what are the Bulls without Derrick Rose? What is Tim Hortons without the Iced Cappuccino? It’s alright. Chicago becomes a decent team that, running around haphazardly, will keep things close but never really contend for a win — nor our allegiance. Without him, they are insipid, unrepentantly neglected, squeezed between Bill Nye the Science Guy and the Volswagen Corrado on a list of things we all raved about back in the 90’s.

So who is Derrick Rose? He is the love child of Allen Iverson’s speed and Dwyane Wade’s jumping ability. He is a killer. He is the NBA’s best point-guard (Rajon Rondo, you would get this nod if you could shoot a jump-shot for your life). He is the humility which this generation’s players have lost. For all intents and purposes, he is basketball’s most valuable player. No obnoxious amounts of chalk thrown into the air. No pre-game dances. No post-game tweets. Just basketball.